Garrison Keillor's recent essay, "Note To Politicians," on Salon.com about how reading histories can lead to the invigorating discovery that one is "dead wrong" about something, resonated with me particularly in light of last week's airing of the America At A Crossroads series on PBS . (It has not been without its detractors.)
The first episode of the America At A Crossroads series is a history about modern notions of jihad, and the history of American leaders--Bill Clinton and W. Bush included--who, it might be said, had not experienced the invigoration of discovery specifically in relation to Islam, Islamism, Iraq, and terrorism. It's a history of the failure to understand history--and the tragic result: crafting foreign policy while mired in American myopia and provincialism.
But history (and historiography, which I define as the study of the disciplines and activities of crafting--usually writing--histories, either professionally or otherwise) is a tricky thing, slippery thing, and the older I get, the less likely I am to judge the topics of histories, even when (especially when?) the histories are invigorating in how they may introduce me to a new idea or change a preconception of mine. Increasingly, I encounter a history--a book or documentary usually--and am more inclined to judge the historical or journalistic project itself--the book or documentary--than the topic it covers.
Histories have the benefit of hindsight. That’s why the best histories, the best examinations of the past, are not pat, are not smug as they attempt to inform. That's why the best ones may contradict themselves at times. And because of the opinion and commentary breeding farm that is the blogosphere and online publishing, and because of the ease with which cable channels like The History Channel can use computer-generated graphics (CGI) to create visually compelling though highly impressionistic depictions of the past (and use, God knows, the super-abundance of stock film footage that no documentary producer ever seems to bother to annotate), there is an increase, I think, in the number of horribly done histories--articles, books, and documentaries--in circulation.
In general, many of these bad projects aren't history so much as they use a cursory view of the past merely as a backdrop, a stage set really, in the service of low-brow entertainment ("Cue for the 1,000th time that clip of the Stuka strafing that train in Poland, or is it France, or is it Russia...who cares?") or ideology ("Churchill good; Chamberlain bad. Bush good; Democrats bad.") or both.
Will America at a Crossroads itself look narrow-minded or ill-informed 2, 10, or 20 years from now and itself become part of a history of discredited histories about American failures to understand history? (!) I think that the documentary will mostly stand the test of time, especially insofar as it looks at the history of modern jihadism and Islamism.
Time will tell us. And there's the rub.
Time is the one thing each of us has so little of--time to read or examine history, time in which to act or correct actions, (including bad foreign policy), time to consider and think before taking major action. Thus, the humility that Keillor writes about--a virtue every human should cultivate, especially in light of the history of human failings..including failings to understand history. I've come to believe that history is the grandest academic discipline, but also one of the most accessible for non-academics.
We all should find some way to participate in the discipline that is history—reading it, writing about it, even if just our own personal histories—for history is not something dead, but an on-going, never-ending, dynamic process of interpretation, documentation, correction, discovery, speculation, skepticism, and--hopefully--articulate self-doubt.
(There are 10,000's of historians in the world. Some of the hard-working ones toil in obscurity. A mere handful will ever be relatively famous in their lifetime or afterwards. A few, past and present, shown here: Ibn Khaldun, Maxine Berg, Jakob Burckhardt, Niall Ferguson, Barbara Tuchman.)